(I have been writing short stories about some of the stories I have covered, so far, in my career. Each one taught me something about journalism and life.)

His real first name was Stanley but they called him “Tookie”. Near the end of his life he was looking for redemption, but that would only come from God. Stanley “Tookie” Williams was executed at California’s San Quentin Prison in December of 2005. About one year earlier, I sat face-to-face with this gang killer on death row. It is a half hour of my life I will never forget.
There are two major gangs prowling the streets of Los Angeles, The Bloods and the Crips. “Tookie” Williams founded the Crips. They wear blue bandanas as their visible calling card. Their job is urban terrorism and organized crime. Williams was on death row for killing 4 people in 1979 during two robberies in the Los Angeles area. These were executions, according to the prosecutor. The victims were all shot at close range with a shotgun. He was convicted and sentenced to death.
I was working at KTNV in Las Vegas as the main evening anchor of Action News. I got a letter from a woman telling me there was a man on death row who was going to be killed by the state of California and that would be a huge loss in the fight against gangs. The woman was the so-called “friend” of Tookie Williams. She was promoting the book he had written in prison. It was a children’s book encouraging them to stay away from gangs.
I had seen gang life first hand in my decade and a half covering the streets of Los Angeles. If there was a way the man who founded the Crips could help kids avoid this violent life, it would be a great story. I pitched it and the news director agreed. We made plans to travel to northern California for a visit to San Quentin.
Arranging to interview someone on death row is a negotiation. First, you bargain to get the inmate or his lawyer. Then, you bargain with prison officials. Tookie Williams, through his “friend” said he would do the interview with me only if I would bring him something very special. He wanted a fresh vegetable sandwich on fresh white bread and a diet Coke. That was it. It seems on death row you don’t get fresh anything very often. It was his luxury and the prison officials said I could bring it in.
The warden refused to let us record the interview. I could not have a video camera or audio recorder. Just a still camera and a notebook and we were only allowed two photographs that would be taken by a guard. We had no choice but to agree.
I arrived at San Quentin on a day that is best described as gloomy. I don’t know if it was the weather or the feeling inside of me that I was going into a place that was infamous for crime, criminals and death. It was a feeling of sadness. I wasn’t afraid. I was “uncomfortable”. Prisons are designed to make you feel that way.
We were met in the prison lobby by our liaison. He gave us the rules. We would be led in. The interview would take place in a holding cell. We would sit across a metal table from the inmate. No touching, no handshakes, no contact. We had 30 minutes. Williams would have his hands and feet chained to the table. If the guard felt there was any violation of the rules, he would halt the interview immediately.
I had my brown bag carrying the Coke and the special vegetable sandwich. They searched it and gave it back to me with a dirty look. It was clear they really didn’t want to have to deal with this today. I later learned that guards always worry when prisoners are moved. It’s the most dangerous time. Tookie Williams, they said, was potentially dangerous. They still felt he was running the Crips from death row.
I was put in a tiny cell, six feet by six feet. The floor was concrete and the walls were steel mesh. The metal table was cold. Then, I heard him coming. A door slammed at the other end of the hall and the sound of the chains were unmistakable. And then, there he was. His eyes were glued to mine through the metal mesh as the guard fumbled with the keys to unlock the cage. Tookie Williams was a big man with a salt and pepper beard. The door opened and he shuffled in wearing his prison slippers. He never took his eyes off me.
The guard locked his chains onto a metal loop in the floor and then asked for my camera. He said he would take the pictures when the interview was over. The door slammed shut. I was sitting about two feet from a man convicted of killing four people. A man who in one month would be dead himself, as punishment.
I said hello. He said, “Is that my sandwich?”. I pushed the bag toward him. As he opened it he said, “Let me eat first. We don’t get this kind of food here”. I didn’t say anything for about five minutes while he quietly chewed and sipped the Coke. Finally, he said, “So what do you want from me?”.
I asked him about his book and why a man convicted of multiple murders and a founder of street gang would now be working to stop violence.
I remember his eyes. I always believed I could see truth in people’s eyes. Williams’s eyes were cold, as if I were looking at a window shade hiding what was inside. He said all the right things. He said he was innocent. He said he had learned that violence was not the right lifestyle. He said he regretted his gang life. He said prison taught him a new way.
He said it would be a shame to put him to death because he had so much to give and was ready to help to help solve the gang problem in American cities. He was pleading for his life. But, he was doing it with those cold eyes and not much emotion. It was, as if, he didn’t really believe his own words. I don’t know if he was telling the truth about what was in his heart. Reporters don’t know that, they only know what they see and hear and feel.
The interview ended. We could not shake hands. He thanked me for the sandwich. I said thanks for the time. The guard took two pictures of me and Tookie sitting in the cage. He never smiled. He and those chains shuffled back to death row.
I remember the deep breath I took when I walked out of San Quentin. I had never “felt” evil before.

(I have started writing stories about some of the news stories I have covered over my career. Each one taught me something about life. I hope this one teaches you something.)

One of the most uncomfortable things I have experienced so far in my journalism career is waiting to find out if someone missing is dead or alive. My first taste of this moment came in 1975, at the beginning of my career, in a muddy parking lot on the west side of the Fox River in Green Bay.

The metropolitan sewer district was digging a tunnel. It was a huge undertaking. Drilling hundreds of feet straight down and then horizontally underneath the Fox River and then up to the surface again on the other side. It was one of those projects that mostly goes unnoticed until something goes wrong and on a rainy Monday morning in May something did go very wrong.

The men digging this tunnel were a combination of local men and construction workers from around the state hired to come here until the job was done. They were always aware of the risk of digging underground, but they took precautions and the money was good.

The tunnel they were digging would carry a simple, but large, sewer pipe to help support the growing population of the city. It was the Packer football team that put this city on the map, but it was the paper industry that kept growing the population.

I was new to the newsroom at WFRV-TV. I had just graduated from college and this was my first full-time job as a reporter. On this Monday morning when I arrived in the newsroom I got my assignment right away. There was an explosion underground. Four men were trapped. Rescuers were trying to reach them. They are staging a command post on the west side of the river.

My thoughts while were scrambled. How was I going to cover a story for television that is happening hundreds of feet underground in a tunnel under a river? I, remarkably, wasn’t thinking about the lives of the trapped men. It seemed ridiculous that they would not be brought out alive. It was my first story that involved the potential for death. My mind wasn’t ready to grasp the possibility.

I was learning. I didn’t know they could build a tunnel under a river. I didn’t know about methane gas and its’ dangers. I was struggling to tell the entire story and I nearly missed the human story that was about to unfold over the next three days.

The soil under the riverbed had not been disturbed for thousands, maybe millions of years. People who dig in this environment are always worried about finding pockets of methane gas. You can’t smell it. That makes it more dangerous. The workers, I know now, place detectors in the tunnel where they are digging to warn them of danger. On this Monday morning, they apparently didn’t work. The gas built up and something sparked a huge underground blast. The men were trapped. They could not get out and the rescuers could not get to them and know one knew if they were even still alive.

The men were all from Wisconsin, but they were not from Green Bay. At the first news briefing by the fire chief, he refused to release their names but said rescuers are doing all they can to reach them and bring them out safely. We had no reason to believe that was NOT going to happen and happen soon. It didn’t. Communication with the men had been cut off and the first firefighters who went into the muddy tunnel came back dirty and frustrated. There was no easy way in, so the decision was made to dig a second tunnel to try to get air to the trapped men. But it was risky. There could me another explosion.

By day two the reality set in. These men might already be dead. I had been focusing on stories about the process and didn’t really put myself in the shoes of those men or their families. That changed when a fire chief’s car pulled into the command post and a woman and two children got out. Reporters and photographers crowded around them. The chief pushed us away. They were led to the mouth of the tunnel opening and the captain leading the rescue effort talked with them for about 5 minutes. The woman handed the captain an envelope. He put it in a plastic bag.

When the woman and two boys turned and walked away we started walking toward them. It was clear they were “family” and this where the story changed for me. We pushed the microphones toward her face. She looked confused and in shock. She said she just wanted her husband out alive. She cried. The note in the envelope was for her husband trapped in the tunnel, if they could get to him. She said, “it simply says I love you”.

The next two days were a blur of more rain, mud, anticipation, despair and more tears. More family members arrived. Volunteer construction workers from all over the state came to help dig that second tunnel into the main one hoping to find the men alive and get them some air. When they finally broke through on day 3 they confirmed the worse. The men were dead. The explosion didn’t kill them. The air ran out.

It was my first story involving tragic death. I will never forget the sound of the crying when the fire chief went to the window of the van where family members were waiting.
It’s a sound I hear in my head, even today.

(I have been writing short stories about the stories I have covered over the years and what lessons they have taught me. This is one of them.)

When I came to work this December morning in 1976, I had no idea I was about to deliver some news that would make a man collapse in tears into my arms.

It was cold, but clear when I walked to the car in the TV station parking lot. We packed our gear into the brightly colored Chevy painted with the letters WFRV 5-Country Eyewitness News. The photographer and I had a two-hour drive ahead of us. I had argued against doing this story at the morning meeting because it had happened overnight and by the time we would get from Green Bay to Peshtigo, Wisconsin there would be no story left to get. But, we were told to go, and we did.

It was just a short 5 sentences we ripped off the Associated Press wire. It said, “Three people died in a house fire overnight. A mother and her two children were killed when the fire spread quickly. Firefighters worked in the cold to put out the blaze. The preliminary cause blamed the husband for over-filling a wood stove. One firefighter was injured”. I called the fire department before heading out on the road; the dispatcher said they were still mopping up at the scene.

It was about noon when we arrived on the outskirts of Peshtigo. It was my first time there, but it was a famous place to people from Wisconsin. We had all heard about the great Peshtigo fire in our history classes. In 1871, on the same night as the great Chicago fire, a huge forest fire consumed the entire town. 1200 people died in the Peshtigo fire. There’s a museum there with all the details. Other than that, Peshtigo is just another beautiful, little Wisconsin town. Now, another fire there would affect my life.

We had the address of this overnight house fire and it was about two miles out of town on a two-lane country road. It was farm country, but on this day the ground was all white. The snow was thick on the fields and you could only see about half of the old wooden fence posts holding up rusted barbed wire.

We rounded a corner and saw the house. The white two-bedroom place was still standing…but most of the roof was gone and the white snow around it was covered with black soot and cracked pieces of wood and charred insulation that firefighters had ripped away during the firefight.

The driveway was short and rutted and it led to the side of the house and a small garage out back. As we pulled in we saw two fire trucks parked next to the garage. Several men were still pulling hoses into one of the trucks.

My photographer began shooting the scene and I walked up the slippery back concrete steps of the burned-out house. I entered through the kitchen. The ceiling had collapsed, so this tiny space was filled with charred wood and ceiling tiles. On the counter were the things that said “family”. I saw a cookie jar with a bear painted on the front. I saw mixing bowls and coffee cups.

I stepped over the debris and walked into a hallway leading to the front of the house. As I got to the living room, I stopped dead. It was hard to tell it was a Christmas tree. The fire made it look like black wrought iron and underneath it, surprisingly not burned, were toys and other remnants of a happy Christmas morning. Just 24 hours ago this family had shared a warm, loving holiday in this room. Now, the room was gone and most of the family was gone too. I just stood there. Across the room, I saw the wood stove that firefighters said was over-filled and caused this family tragedy.

We did the interview with the fire chief and were getting ready to leave when an official- looking car pulled up. It was the local fire marshal to inspect the place and confirm the cause. We hung around and found out that the preliminary cause; the overfilled stove was not the cause at all. Turns out, according to the fire marshal, it was an accident. A wire stapled into the wooden rafters in the basement had shorted out and the heat ignited some old insulation.

We headed into town for a sandwich, but something told me this story was not over. After eating at the local café, I said, “let’s make one more stop at the house before heading back to Green Bay.”

We drove into the driveway and noticed the fire trucks were gone. There was just one car parked in the back. As I walked toward the house, a man in a white t-shirt and black jeans walked toward me down the steps. His eyes met mine. His arm was in a sling and his face was covered with soot. My first thought was that this was the injured firefighter who had come back this morning to see the place.

The man took one step down and then sat down on those cold concrete steps. I walked up next to him and simply said, “Hi!” His eyes rose up and they filled with tears. He said, “I killed them.” My heart stopped. This man sitting here in front of me was the husband and the father of the 3 people who died just a few feet away in his burned-out house. “I killed them”, he repeated, “I filled that stove too full and I killed my own family.”

I found myself sitting next to him as he cried. My photographer had grabbed the camera and was standing about 15 feet away. He laid the microphone down nearby.

The husband and father just kept repeating, “I killed them, I can’t go on.” I wanted to tell him that he had not killed them, it was an accident just a faulty wire. Then I realized he didn’t know that. He had not met the fire marshal. He still thought it was his fault!

I grabbed his hand. I don’t know why. I said, “Listen to me, I am a reporter and I was here when the fire marshal found that it was not the overfilled stove, it was a short in a wire in the basement. It was an accident, it wasn’t you!” I heard my own voice. It sounded as if I was pleading for him to stop hurting. I wanted him to know. I wanted to help take away the pain.

He looked at me and said, “what?” I repeated the fire marshal’s story. The man started sobbing uncontrollably. He collapsed into my arms. I will never forget what he said to me. He said “I thought I had killed my family and I knew I could not live with that on my heart. I don’t know how I can live without my kids and my wife but knowing I didn’t kill them gives me something to hang on to. I was ready to just kill myself right here, right now.”

I told him, again, it was not his fault and he just cried. We sat there for about 15 minutes, not saying a word. Then he got up, looked back toward the door of the house where his loving wife and children had died. Then, he looked at me and said, “thank you.” He shuffled to his car and drove off.

Our drive back to Green Bay that day was very quiet. When I aired my story that night, we used the video of my encounter with this man and I shared my experience with the viewers.

It was “my” Peshtigo fire. Not the one history records in that museum, the one that killed hundreds of people back in the 1800’s, but a small fire one day after Christmas in 1976 that I will never forget. Even as a reporter you can’t forget you are still a person and you are part of the story.

(I am writing short stories about the TV news stories I have covered over the years and what they have taught me. This is one of them)

Most of the time we were rushing to stories, but this time the story came rushing to us with the velocity of a speeding bullet.

It was a rainy, cold fall day in Indianapolis in 1979 and I had worked all day. It was 7 p.m. and I returned home to my small, studio apartment on the north side when my pager went off.

As I grabbed a Coke from the refrigerator, I also grabbed the phone and called the assignment desk. They needed me to check out some police action developing in my neighborhood.

The photographer arrived at my apartment door a few minutes later in the Ford Bronco loaded down with equipment and we headed east just a few blocks to an apartment complex. The on and off rain of the day was now a cold downpour. You could hear the raindrops on the leaves of the trees surrounding the building.

When we pulled into the complex, the place was crawling with police. We were blocked from the main parking lot, but an officer told us the command post was set up around the south side of the building.

I walked over to the man in charge and he told me that a team of officers had tried to serve a warrant on a man in one of the apartments. This man was mentally unstable, he said, and the warrant was an authorization to take him in for treatment. But, instead of cooperating, the man had pushed the officers away, locked the apartment door and was threatening to shoot them. The cops believed he had several guns.

So far, they established phone contact with him, and the SWAT team was called to stand by. This was a stand off, but clearly the police were not interested in using force to take in a mental patient.

I called the assignment desk on the radio and told them the story. The night desk suggested I just stay there and see shat happens. It was going to be a long night.

We were with the cops in the parking lot, but we could not see the actual apartment and we knew if we were going to get any videotape to help tell the story we had to find a spot where we could see the action. This was the right thing to do, but it turned out to be a very dangerous thing to do.

It was now getting late and the rain was not letting up. The police were hunkering down for a long night of trying to negotiate with a crazy man to get him to lay down his guns and come out. We drove our news van into a school parking lot next to the apartment complex where we could see the double glass patio doors and the kitchen window of the apartment where the man was holed up. There was a small grove of trees between the building and us but the trees were sparse and we kept moving closer and closer to get a better look.

We got to a point where we were no more than 50 yards from that double glass door. We parked the truck and waited. I was in the driver’s seat. My photographer was in the passenger seat holding the camera so he could be ready if anything happened.

We could see the SWAT team in place on either side of the apartment. They were waiting, too. Inside the apartment, I could occasionally see the shadow of the man moving around. We waited and waited and waited for hours and the rain kept falling.

Then, suddenly, I heard a crash! I stood up next to the open driver’s side door and my photographer did the same on his side of the truck. He lifted the camera to his shoulder and I grabbed the microphone and held it above my head while standing behind the truck door.

The SWAT team had lobbed a tear gas canister into the apartment. I could see the gas billowing in the kitchen and the police with guns drawn beginning to move closer to those double glass patio doors. We had a great view of the action. The police were making their move and we were going to get it all on videotape. The tear gas worked, but it turns out our efforts to get the best pictures also put us directly in the line of fire.

I was standing behind the driver door and I saw the double glass patio door slide open. Out of the cloud of tear gas, I saw the man. He was coming out. He had a gun in each hand and they were pointed right at us. The police were yelling; I could not make out what they were saying. The camera was rolling the microphone was ready.

The man did not drop the guns; he started firing. The first bullet hit the front of our truck with a “ping”, but I really didn’t realize it was a bullet. I was focused on the man. Then the next bullets hit the grill “ping ping”. He kept shooting. My head was in the “V” formed by the truck door and the frame and I felt it brush my ear. A bullet had missed my head by less than an inch. I felt it whiz by”! I dove into the driver’s seat and so did my photographer. “Ping”, “ping”, “ping”, three more slugs hit the front of the truck. My photographer lifted the camera back up again pointing it toward the apartment. The man had stumbled on the lawn and the police had them in their sights. “Boom! Boom!’ The shotguns went off! The man fell, immediately. The stand off was over.

I looked at my photographer and I could see from the look on his face that he felt the same as I did. All I said was, “I guess we got too close” and he said, “I guess so.”
We were nearly killed. One headlight on the truck had been shattered. It was a very close call, but that fact became even more dramatic when we returned to the TV station early that morning and put the videotape into the playback machine.

The photographer had gotten it all! We had the billowing tear gas and the SWAT team ready to pounce. We had the patio door flying open and the man with the guns staggering outside. And, we had the bullets.

When the tape got to the point where the slug came close to me, it was the sound that shocked me. I was holding the microphone about two inches from my head while standing next to the truck. When I played the videotape, you could hear the bullet go past it and it is a sound I will never forget. That bullet went screaming past that microphone with a “zzzeeeeeeeeeeeaaaaaammmmmmmmmmm!!”. I could actually hear how close I came to dying. I will never forget the sound of my very close call. Life is fragile.

(I am writing short stories about the TV news stories I have covered over the years and what they have taught me. This is one of them)

One of the ways we found stories to chase was to scour the small town, weekly newspapers from all over Wisconsin. Each community had its own publication filled with school lunch menus, library hours, obituaries and feature stories about their colorful residents. One morning in 1974, while working at WLUK-TV in Green Bay, I found a story I just didn’t believe, but I found out that it really was all about “believing”.

The headline in the Omro Herald was “Local Man Won’t Give Up Search for Giant Catfish”. Frank Tucker told his story to the local reporter about the day over a year ago when he was fishing one morning in his sun-bleached old boat in the pond behind his neighbor’s barn. Frank says he had never seen a catfish as big as the one on the end of his line. “It wasn’t a fighter”, he said, but it was huge. He explained how he rowed the boat toward the shore as he held the fishing pole pinned to the bottom of the boat with his work boot. Just as he got the giant catfish within 15 feet of the crumbling dock, there was a “swoosh” and the big fish got spooked. The thrashing, he said, ripped the hook from the fish’s mouth and it was gone. Frank said he said there alone in the morning sun thinking, “no one is going to believe me.” So, right there and then he made a pledge. He would come back every day and try to catch it again to prove he wasn’t crazy.

As I read his story in the newspaper, I knew I had to visit Frank and find out what really drove him to catch a fish he claims he once had on the end of his fishing pole. He was a character. My instincts told me he had something to teach me.

Two days later I was on my way, early on a Thursday morning. I made the turn off Highway 41 in Oshkosh and headed west. It is farm country, but many of the farms are gone, being replaced by new houses. Two more turns on those country roads and I saw Frank’s mailbox. He said I couldn’t miss it. Someone had carved a giant catfish with a mouth that opened for the mail.

Frank met me in the driveway and I grabbed my camera and microphone from the trunk. He wanted me to meet his wife Betty. She came to the door with a brown paper bag filled with sandwiches and those small bags of Lay’s potato chips. She said we would get hungry out there on the pond. She squeezed Frank’s hand, looked at me with a sly smile and said, “good luck, men.”

It was a short, quarter-mile walk down to the pond that I discovered did not have a name. It was just a pond behind the barn of a farmer who had died long ago. Another farmer who lived miles away now leased the land around it.

Frank kept his old rowboat tied to a dilapidated dock on the east side of the pond. “No one ever bothers it,” he said, “who would want this old thing anyway.” It was true. I was surprised the boat would even float. We loaded our lunch, his fishing tackle and my camera gear into it and he began slowly rowing.

He didn’t say anything for about 5 minutes. I just sat there enjoying the sunshine. He stopped rowing and said, “This could be the day.” I put the camera on my shoulder and clipped a microphone on Frank’s fishing vest while he set up his pole and his bait. He slipped a big piece of bacon fat on the end of that giant hook and tossed it overboard. If that huge catfish was hungry, it had a feast ready.

Frank told me the story again about that day when he hooked the monster fish. It was filled with details. He pointed to the spot when he first felt the tug on the pole and then how the fish kept moving and pulling the rowboat. It was going to be a great story. The light was beautiful and Frank was a great “talker.”

He, again, told me he would love to catch that fish again because he wanted to prove to his friends it was not just another big fish story. You could see he loved the hunt and he loved the pond and he loved being out in the fresh air.

He changed the bait several times in two hours. I shot more video of the pond and the cars driving by. I found out more about Franks life. How he met his wife Betty and how he had fought in World War II. At unchtime we ate our sandwiches.

At 1 o’clock we had not had a bite. Frank declared that fish never bite in the afternoon, so he began packing up his gear. As we walked back to the house, he apologized for not giving me a good story by catching the fish. I told him it was OK, and that it was still a good story about his life and his mission to catch it, someday. At the house, Betty greeted us again and I asked Frank to call me when he caught the fish. I wanted a picture of it to follow up.

The story aired the next day on WLUK Channel 11 in Green Bay. It was fantastic. My boss loved it and some viewers even called to congratulate us on doing the story. We got letters from people suggesting what special bait Frank should use to get his big fish.

About a month later I found a pink phone message slip on my desk when I arrived one morning. It said that Frank’s wife Betty had called. I was excited, because I was hoping Frank had gotten his fish. I was excited to see it and see his face, beaming.

I dialed the number and Betty answered. My voice was filled with energy as I said, “Hi Betty! Did Frank get his fish?!” She said, “Well, no Frank did not catch that catfish. Frank is gone. He died 3 weeks ago.” My heart sunk. She said, “He died in his sleep probably dreaming about that fish.”

I expressed my sympathy, but, I could tell Betty had more to say. I asked her if she was sorry Frank didn’t keep his promise to catch that big, old catfish he once had on the line in the tiny pond. She said, “Ross, there was never a real fish. But, that make-believe fish kept my husband alive. It was the hope he had everyday that his fantasy would come true, and that kept him moving and living and dreaming.”

I realized, that even for Frank, it was never about the fish. It was about hope. He believed his own story about that big fish, because if didn’t he would quit living. It was his way.

Betty said, “ Thank you, Ross, for letting Frank share his story.” We hung up.

Now, when I go fishing, I sometimes think of Frank. Even if there is no fish on the end of my line at the end of my day, there is always hope for the next day. Sometimes the stories we cover are not as simple as an old man, an old boat, a small pond and big fish story.

One of the things we will all face during our careers in broadcast journalism is change. One boss will quit or get fired and another will come in with new attitudes and new rules and new challenges. It’s a moment you can use to improve.
Before you meet the new person in-charge, re-examine your style, your interaction with fellow workers, your personal habits, your commitment to learning. Make a commitment to displaying a positive attitude and to smile more. After all, you are doing what you always wanted to do, right? If you aren’t then this is a good time to make a promise to yourself to discuss it with your new boss.
Think of ways you can volunteer to help your new supervisor. Show them that you are a team-player and not afraid to see problems and solutions in a new way. Remember, the new boss is coming to the job with new ideas, too.
Learn a new skill. This is a great time to add to your toolbox and make it clear to everyone that you are stretching yourself.
Sometimes when an old boss leaves, you feel uncomfortable. Use that feeling to make yourself better.

Conflict is an essential element of most stories, but conflict only scratches the surface when you are talking about emotional range. Conflict is the catalyst for the universal emotions such as fear, anger, frustration, happiness, and sadness. Can you show the quiet sadness or frustration of a family whose life was changed by a tornado? They are not yelling or crying or even talking. Does your emotional range allow you to recognize that emotional numbness?
How did you feel when your first child was born? How did you feel when you had your first kiss? If we are going to be great storytellers we need to experience life ourselves and then draw on those experiences to make our stories better. So, use the experiences in your own life to begin developing your emotional range. Think of how you felt on your child’s first day at school or when your grandfather died and find words in your stories to help us better understand the story you are covering today. Unless you look in the mirror and realize what you bring to the storytelling table, you will waste your “seasoning” and your story will suffer.
To begin finding and developing your emotional range in storytelling look back. Pull out your stories from the past two weeks and review them. Think about how you “felt” about doing that story and then think about how the people in the story felt. Did you capture those feelings? Did you show the quiet frustration of the city council member who is trying to do something good for her district? Or, did you just do the obvious and show the argument in the council chambers.
Dig into the emotions. Every story has them. It’s your job to find them and use them to help tell the story.

Let’s get this right
There is no such thing as “stable” condition.

The official medical conditions are:
Grave Condition (vital signs unstable and in danger of dying)
Critical Condition (in danger of dying but vital signs relatively stable [every other condition means by definition “stable”]
Serious condition
Fair condition
Good condition

If a PR person says the patient is in stable condition, the next question to ask is “are they in critical condition, good, serious, fair?” Or dead (which their vital signs are stable since all but the temp will remain unchanged). “Dead” is the most stable you will ever be.

If they won’t tell you a condition, then the best thing to report is “we do not know the condition of the victim. The hospital will only say he/she is stabilized”.